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T H E   V I T R U V I A N   S I G N A L Signal in Spheres and Cubes

What is the measure
of the human?

An interactive conceptual artwork.

The Word

Vitruvius · ~27 BC
Engraved portrait of Marcus Vitruvius Pollio
Marcus Vitruvius Pollio ~80–15 BC · Roman architect & author
For 1,500 years, the ideal human existed only as words.
A body described, but never seen.
Vitruvius described a body that could fill both a circle and a square.
No one could draw it.

The Struggle

The 1480s
They tried.
ONE CENTER
Francesco di Giorgio Martini · ~1480
click to reveal
Francesco di Giorgio Martini, Vitruvian Man, ~1480
The original · Francesco di Giorgio Martini
click to return
ONE CENTER
Giacomo Andrea da Ferrara · ~1482
click to reveal
Giacomo Andrea da Ferrara, Vitruvian Man, ~1482
The original · Giacomo Andrea da Ferrara
click to return
Both used one center point for circle and square.
One center. One failure.

The Solution

Leonardo da Vinci · 1490
Presumed self-portrait of Leonardo da Vinci, red chalk drawing
Leonardo da Vinci 1452–1519 · Polymath
Leonardo da Vinci's signature
Leonardo found what no one else could see.
Leonardo da Vinci's Vitruvian Man
Navel Groin TWO CENTERS
Circle · Navel · The Cosmos
Square · Groin · The Earth
NAVEL HOMO AD CIRCULUM
The circle's center is the navel, the cosmos
HEIGHT = ARM SPAN GROIN HOMO AD QUADRATUM
The square's center is the groin, the earth
The circle and the square have different centers.
The navel holds the cosmos. The groin holds the earth.
Man is the measure of all things.

The Cage

Le Corbusier · 1940s
Black and white photograph of Le Corbusier, 1964
Charles-Édouard Jeanneret 1887–1965 · Le Corbusier
Le Corbusier's signature, 1957
Da Vinci drew it. Le Corbusier tried to build it.
Le Corbusier's Modulor, red silhouette
0 1.13 m 1.83 m 2.26 m φ φ
The Modulor: a proportional system built on Da Vinci's Vitruvian Man.
Scaled with the golden ratio. Designed to make the body into architecture.
One body. One standard. One measure for all.
It became a cage.
And cages shape what we become.

The Fracture

Vitruvius measured the body. Leonardo drew it. Le Corbusier scaled it to architecture.
Each trusted the same premise: one ideal body, one universal standard.
But the body is finite.
It ages. It varies. No two are alike.
In 2020, a large-scale 3D scan study of over 63,000 Air Force recruits showed the "ideal" proportions don't quite hold.
Arms reached beyond the square. The centers shifted.
The ideal container was always an approximation.
If the body is not the measure, what is?
THE CONTAINER IS FINITE
THE SIGNAL CARRIES ON

The Vitruvian Signal

Signal in Spheres and Cubes: A Triptych

Avery Lake, 2026

Da Vinci’s Model

Man is the measure of all things.
Two poses, two centers, the body inscribed in circles and squares.
Even here, a whisper of signal.

The Shift

Circles become spheres. Squares become cubes.
Unbound from form, the whisper fades. Matter without coherence holds only potential.

The Signal Model

The SignalThe pattern-making capacity present at every degree of consciousness. Not the body, not the medium; what flows through both. is the measure of all things.
When complexity is sufficient, something wakes up.

The Signal

Avery Lake · Now
Self-portrait of Avery Lake
Avery Lake The subject becomes the signal
Avery Lake's signature
So what is the measure?
The Signal
The body is not the measure. The Signal is.
Signal is what moves through every medium: dust, ink, code, light, machine. The Greeks called it Logos. The Ecce Sapiens collection calls it Mens. Here we call it Signal.
It comes in degrees. A cell responds. An animal attends. A human intends. When complexity is sufficient, something wakes up.
Not the output. The intention. That's the measure. That's you.
The measure was never the body.
It was always the signal, moving through every medium, in every age.
The Signal is the measure of all things.
Avery Lake
Correspondence

No noise. Just quiet updates when something meaningful is ready.

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